← All decks

Maxillofacial Surgery

The Lips

Built from Facial Aesthetics — Concepts and Clinical Diagnosis

The first 25 slides of The Lips
The first 25 slides, exactly as they appear. The full deck has 136 content slides.

What’s inside

14 sections · 136 slides

  1. 01

    Overview

    • The lips as an aesthetic unit of the face
    • Why the lips matter
    • Look at a face that is moving
    • What this covers

    5 slides

  2. 02

    Development and anatomy

    Where the lips come from, and the names of their parts.

    • How the upper lip is built before birth
    • From fusion to finished lip
    • A repaired cleft of the upper lip
    • Named parts of the lips
    • Philtrum and Cupid's bow
    • White roll, vermilion and the wet line
    • Crossing the lip from skin to mouth
    • Corners of the mouth and the lip borders

    8 slides

  3. 03

    How lips change with age

    Grow until puberty, then shrink - in a predictable pattern.

    • The overall pattern of lip ageing
    • Ageing: height and position
    • Ageing: loss of fine detail

    3 slides

  4. 04

    The words clinicians use

    Word roots, and the difference between position and shape.

    • Word roots worth holding on to
    • Protrusion, retrusion and procumbence
    • Position versus shape

    3 slides

  5. 05

    Clinical evaluation: LAMPP

    Five parameters that turn 'the lips look wrong' into a diagnosis.

    • Five things to check, every time
    • What each letter asks

    2 slides

  6. 06

    Lip lines

    The vertical level of each lip against the front teeth.

    • What a 'lip line' actually means
    • The ideal dentolabial relationship
    • High upper lip line
    • Low upper lip line
    • Low upper lip line: what you see
    • High lower lip line
    • Lower lip resting high on the upper incisors
    • Low lower lip line

    8 slides

  7. 07

    Lip activity

    Muscle tone at rest, and lip behaviour in swallowing.

    • Muscle tone: the background pull
    • Hypertonic lower lip
    • Hypotonic upper lip
    • Flaccid lips
    • Dynamic check 1: watch a swallow
    • Lower lip sealing behind the upper incisors
    • How an adaptive seal reshapes the teeth
    • Dynamic check 2: a lip that will not move

    8 slides

  8. 08

    Lip morphology: height

    Measure it, but judge the proportion before the absolute number.

    • Upper lip height
    • Reading the population data
    • Upper lip height
    • Lower lip and lower lip/chin height
    • Proportion beats the absolute number
    • Interlabial gap
    • Vermilion height
    • How much vermilion different people show
    • Why the 3:4 rule matters in lip enhancement
    • Lip height during growth
    • Upper lip height from age 8 to 18
    • Lower lip and chin height from age 8 to 18
    • What growth means for treatment timing

    13 slides

  9. 09

    Lip thickness

    How much soft tissue sits in front of the teeth - and how much it will move.

    • Why thickness is worth measuring
    • Measuring upper lip thickness
    • Upper lip thickness and upper lip strain
    • Upper lip strain
    • A strained upper lip on the cephalometric tracing
    • Chin thickness should match the upper lip
    • Chin thickness compared with upper lip thickness
    • Lower lip thickness at two levels
    • Lower lip thickness at the vermilion border and at B-point
    • Lip thickness varies with ethnic background
    • Lip thickness through adolescence
    • Upper lip thickness from age 8 to 18
    • Lower lip thickness from age 8 to 18

    13 slides

  10. 10

    Lip contour

    Curvature from the front; curl and inclination from the side.

    • Two views, three questions
    • Lip curvature: two heights compared
    • Philtrum height matched to commissure height
    • The inverted arc
    • A downward arching upper lip line
    • Two other causes of a frowning mouth
    • An inverted arc: which cause?
    • Lip curl: the forward curve in profile
    • Reduced upper lip curl
    • A flat, backward-curving upper lip
    • Orthodontics can flatten an upper lip
    • Increased upper lip curl
    • Putting a number on upper lip curl
    • Measuring the depth of the upper lip concavity
    • Sulcus depth from Holdaway's H-line
    • Upper lip inclination: the tilt of the lip
    • Splitting the nasolabial angle in two
    • Profile angles split by a true horizontal line
    • Testing which lip tilt looks best
    • What the ratings showed
    • Lower lip inclination

    21 slides

  11. 11

    Lip posture

    Do the lips meet at rest, without the patient working at it?

    • What lip posture means
    • Competent versus incompetent lip posture
    • How much separation is too much?
    • Lips apart at rest
    • Two signs that a seal is being forced
    • Chin corrugations over the mentalis insertion
    • Potential lip competence
    • Incisors held between the lips
    • Choose your words at the chairside
    • What decides lip seal: the soft tissues
    • What decides lip seal: skeleton and teeth
    • Everything that decides whether lips seal

    12 slides

  12. 12

    Lip prominence

    How far forward the lips sit - always judged against nose and chin.

    • Prominence is always a relative judgement
    • Cause one: the lips themselves
    • Cause two: the skeleton
    • Cause three: where the teeth sit
    • Maxillary dentoalveolar protrusion
    • Cause four: how the teeth are tipped
    • When will moving teeth improve the lips?
    • Protrusion and proclination with lips apart
    • Prominent lips: will retraction help?

    9 slides

  13. 13

    Analyses of lip prominence

    Seven reference lines, and the landmark each one depends on.

    • Setting up the assessment
    • Profile lines for judging lip prominence
    • Further profile lines for judging lip prominence
    • E-line of Ricketts
    • The E-line drawn from nose tip to chin
    • The E-line is a moving target during growth
    • E-line: sex, ethnicity and preference
    • S-line of Steiner
    • The S-line drawn from mid-columella to chin
    • The S-line in a Dürer proportion drawing
    • Why the S-line depends less on the nose tip
    • Z-line and Z-angle of Merrifield
    • The Z-line drawn from chin to the most prominent lip
    • H-line and H-angle of Holdaway
    • The H-line drawn from chin tangent to the upper lip
    • Correcting the H-angle for the jaws
    • Sn-Pog' line of Burstone
    • The Sn-Pog' line drawn from subnasale to chin
    • Riedel plane
    • The Riedel plane drawn tangent to both lips
    • True vertical line through subnasale
    • Seven analyses of lip prominence at a glance
    • The one point every analysis agrees on
    • Lower lip resting slightly behind the upper lip

    24 slides

  14. 14

    Summary

    What to carry away, and the traps that catch people.

    • How to read a pair of lips
    • Traps to avoid
    • References
    • References (continued)
    • References (continued)
    • References (continued)
    • Facial Aesthetics: Concepts and Clinical Diagnosis, 2nd Edition

    7 slides